Monthly Archives: March 2017

Toxic Dominion

We are indebted to a faithful DP correspondent for steering us to an excellent 2014 lecture presented by Eileen Crist, in which she articulates a concise overview of what she calls the Human Supremacy Complex, or toxic anthropocentrism.

Professor Crist begins with a reference to an October, 2013 article published in The Economist reporting on a clot of jellyfish inside cooling pipes at a Swedish nuclear reactor, a report that swiftly mutates into an infomercial for a new technology named with the perverse acronym JEROS: Jellyfish Elimination Robotic Swarm. According to its creator, JEROS will chew through even the most exhuberant clot of jellies, and thus keep our nuclear reactors humming.

The entire lecture is linked below, followed by a montage of her slides that convey a useful summary of core questions and arguments. The final image is taken from The Herd, an installation project by Tasha Lewis, whose studio we shall revisit in future posts.

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THE HERD

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If we refuse to learn how to live responsibly within this “community of unique and exquisite  beings”, clinging to the delusion that no matter what ruinous consequence we inflict upon the natural world, our clever technologies will always save us: we shall be obliterated.

Though JEROS robochops jellyfish into mush, it will take more than robot swarms to chew through the lethal clot of our own hubris and arrogance, such that we might embrace the “abundant and ravishing” planet, “inhabited with respect.”


An Unbroken Loveliness

Now comes Eileen Crist, with excerpts from her brilliant essay, I Walk in the World to Love It; images are from the Aviary of Sara Angelucci.

The quotation from Mary Oliver descends from her essay, Waste Land: An Elegy. Here are the lines that follow:

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The Shattering Wonder

This week we return to the work of David Abram, in his masterful recuperation of embodied knowledge, Becoming Animal; excerpts from the introduction below, interwoven with images from the studio of Morgan Bulkeley.

WHERE LATE THE SWEET BIRDS

SPRING AND RUMBLINGS

VENUS AND SPATS


The Incident Commander

Grizzly Times publisher Louisa Willcox bears witness to the National Park Service “management” of bison deemed excess to requirements; images added by DP.

THE SILENCER

SCORE FOR THE BUFFALO REQUIEM

THE INCIDENT COMMANDER SURRENDERS TO THE UNTHINKABLE

 


In the Depths

Now comes the Alliance for Wild Ethics, or AWE:

“A consortium of individuals and organizations working to ease the spreading devastation of the animate earth through a rapid transformation of culture. We employ the arts, often in tandem with the natural sciences, to provoke deeply felt shifts in the human experience of nature. Motivated by a love for the more-than-human collective of life, and for human life as an integral part of that wider collective, we work to revitalize local, face-to-face community – and to integrate our communities perceptually, practically, and imaginatively into the earthly bioregions that surround and support them.”

AWE is directed by David Abram, whose Spell of the Sensuous should be on the bookshelf of every DP reader. We excerpt his 2005 explication of Depth Ecology below, with a couple of images from Jo Whaley’s exquisite Theater of Insects.

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Declaiming that American pipelines will be made from American steel brings waves of ecstatic applause from the sleepwalking “elites”, lost in the narcotic haze of their violent pipedreams; yet the deep truth that our own intelligence is entangled with — and dependent upon — the wild intelligence of the wolves and wetlands that we hunt and desecrate fails to move us from the path of hubris and delusion.