Thanks to all who responded with such sacred rage and support for last week’s post, in which we amplified the voice of Amazonian indigenous leader Nemonte Nenquimo; this week we bend an ear to another voice that echoes Nenquimo in its urgency, yet from a different location in the Global South: Australia, following the horrific 2019-2020 burn season, known as “Black Summer”.
Now comes Joëlle Gergis, writing from the front lines of the deepening Climate Emergency in a recent essay, excerpted below. Images are relayed from the site of artist Giuseppe Licari, documenting an installation dating from 2016, titled Contrappunto.
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About his work, Licari writes:
My work explores the socio-economical, cultural and political practices that intervene on, and alter the form of contemporary natural landscapes around us. Subject both of science and art, the landscape functions both as a mirror and as a lens: in it we see the space we occupy and ourselves as we occupy it. With my work I abstract and re-interpret landscapes engaging in an open-ended investigation of transferring the physical experience of a territory away from the locus of its original existence via discrete or bold interventions.
My aim is to confront the public with nature’s omnipresence, creating new spaces of sensorial and social experiences. Intending to provide the audience with an active role in my work I use a variety of techniques and media, such as installations, performances, workshops and public art, to better address the needs of each idea. The heterotopic landscapes I create constitute places of memories in which the emotions of single individuals become inevitably part of a collective experience.
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Desperado Philosophy 