Now comes entomologist Diana Six, speaking her truth from the front lines of climate emergency:
Five years after water protector Berta Cácere’s brutal murder, Honduran courts have finally brought a degree of justice in convicting the alleged “mastermind” behind the plot, Roberto David Castillo Mejía, military intelligence officer and former general manager and president of the Desarrollos Energéticos (DESA) hydroelectric company.
“This historic ruling takes on even greater importance because it highlights the value of the defence of nature and the rights of indigenous peoples and rural communities. It is a landmark ruling that exposes through the courts the responsibility of companies, not only of their devastating role in the destruction of vital resources, but also in the persecution and elimination of people and organisations that oppose their destructive greed. The ruling highlights the strength of unity and struggle in the demand for truth and justice; a struggle that had as great protagonists the courage and dignity of her family, of COPINH, of all the people who gave themselves to this cause of humanity. I join in the joy that Berta vindicated, the joy of victories. This is a victory with the taste of a feat, because achieving truth and justice in the courts that have historically favoured the crimes of power is a feat. This victory is transcendental, but it does not mean the end of the road in the fight against impunity for the assassination of our comrade Berta“, said Reynaldo Villalba, Vice President of the International Federation for Human Rights.
In memory of Berta’s fearless Lenca spirit, we relay links and writings from an earlier DP:
From her speech in acceptance of the Goldman Prize, the year before she was murdered:
And finally, a video of the entire speech: Berta Cáceres, presente!
In an editorial opening the recent “animals” issue of The Ecological Citizen, Eileen Crist underscores the heavy price we pay when we obscure our animal selves, and abuse our animal kin. We cannot address climate emergency without confronting the dominant ethos of human supremacism, and its dense understory of “petty mind-games.” Excerpts below, with images added by DP.
An excerpt below, with images by Ana Mendieta.
Let us offer Diane Ackerman, writing in The Human Age, the closing words:
Now comes Christof Mauch, director of the Rachel Carson Center for Environment and Society, with excerpts from an essay that sketches the outline of his 2019 booklet, Slow Hope: Rethinking Ecologies of Crisis and Fear.
Images are from a related exhibition by artist Mandy Martin.
Now comes documentary filmmaker Theo Antony via an interview regarding his most recent film, wherein he explores the micropolitics of police body cameras among other power dynamics within the dominant surveillance ethos, as well as the inherently slippery nature of all documentary evidence.
Excerpts from the interview below, with the second image linking to the “official” (whatever that means) trailer.
We are grateful to a vigilant DP reader for bringing a recently published book to our attention: Less Is More, by economic anthropologist Jason Hickel.
From the Guggenheim Bilbao page about Neto’s exhibition:
The artist began working with crochet in 1994 in order to create seamless fabrics and has hand-crocheted circular cells—filled with plastic balls—since then. Neto prefers materials and techniques traditionally linked to women. The artist explains “I love the idea of continuity between man and woman, both in the moral sense and the psychotopological sense. Female and male are just negative and positive. It’s like a sculpture cast—you have the model and the cast. I’m pretty interested in this ambiguity.”
According to Neto, he has wanted to move through the space, hover above the floor or trace a line to climb and float in the air for many years. Life is a Body We are Part of−A vida é um corpo do qual fazemos parte, through which Neto aims to give visitors a slight sense of vertigo, encourages us to think about balance, something which we sometimes take for granted, and to reconsider “the way we move, desire, and fear.”
We a grateful to a DP correspondent for reminding us of an essay by scientist, writer and citizen of the Potawatomi Nation Robin Kimmerer. First published by Orion in 2017, the essay becomes ever more relevant with each passing day. Excerpts below, interwoven with images of braided sweetgrass relayed from Whispering Wind.
Now comes artist Maya Lin with an NYC Madison Square installation created from forty-nine white cedar trees transplanted from the New Jersey Pine Barrens. The project raises numerous questions, both exposing and embracing an ethos of human dominion over nature.
Image and text relayed from the project’s website, followed by a link to a documentary video.