Tag Archives: into that darkness

The Mysterious Core

Gitta Sereny, 1921-2012

Gitta Sereny, 1921-2012

With much sadness, we note the death of Gitta Sereny at the age of 91. Possessing an abundance of analytical intelligence and moral acuity, Sereny’s writings explore the interplay of history and human psychology with peerless subtlety and skill, conveyed for the reader in a style that is graceful, complex and lucid.

Her virtuoso “examination of conscience” in the case of Franz Stangl, Kommandant of Sobibor and Treblinka, sets a very high standard for the forensic examination of human behavior in extreme circumstances. Rejecting the simplistic classification of Stangl as either a Nazi Monster or as a banal civil servant, Sereny reconstructs his social and private Lebenswelt with meticulous care, her spirit of empathy – even though she found him personally repellent – matched by an unsparing drive to excavate his deeply buried guilt.

In dialogue with Sereny, Stangl becomes human again for the reader, only for Sereny then to lay bare the fundamental corruption within his personality that permitted him to perform his role within the death machine with such cold efficiency. By cross-checking Stangl’s recollections with interviews of his wife, children and other key people in his life, she uncovers the emotional black hole at the core of his being, an emptiness which eventually expresses itself as a grotesquely distorted conception of “self-will”, an identity distortion that is absolutely critical to comprehending his obedience within the genocidal chain of command.

Sereny’s examination of Stangl is so cathartic for her subject that, at its conclusion, he at last acquires an understanding of his complicity and guilt: “My guilt is that I am still here. That is my guilt.”  Nineteen hours later, he is found dead of heart failure. By the end of her account, the reader (or certainly this reader) also experiences a sort of collapse, a collapse that creates the conditions for fresh insight, well beyond the history of the death camps.

Her portrait of Albert Speer reaches the same depth, complicated by the eventuality of Sereny’s feelings of friendship and even admiration for Speer’s remarkable talents and personal qualities. Speer is certainly in a different category from the brutish provincial policeman Stangl. Speer is painfully aware of his profound guilt from an early stage, and devotes the rest of his life to an examination of his own conscience; hence Sereny’s title, Albert Speer: His Battle with Truth.

While Speer’s moral resolve wins respect from his interlocutor, she does not abandon her hunger for deeper questions, as she constantly pushes him on critical weaknesses in his personal accounting, above all regarding his complicity in the Final Solution. As readers, we witness their friendship strengthening in the exact same rhythm as Speer’s last defenses regarding the depths of his guilt weaken and then crumble. It is an astonishing tension to experience, rendered with literary skill equal to any writer of her time.

Though Mr. Rose is not even remotely in her class as an interviewer (we wince at his clumsy interruption in mid-sentence, when she is on the verge of making her most important point), the below video at least conveys some slight sense of her exceptional self-awareness and deep humanity.

In closing, we submit the epilogue from our DP office copy of Into That Darkness, in which she neatly summarizes her perspective on the social conditions for an active moral consciousness. Her fearless grappling with the mysterious core of human identity remains more relevant than ever, as the species spins off into yet another crazed Tarantella of corruption, cruelty and slaughter. The incomparable Gitta Sereny: the world will be very fortunate indeed to see her kind again.

Agents in the Dark Wood

The year 1974 saw the appearance of two remarkably different explorations of the tense interplay between conscience and obedience, with the horrific experience of Nazi Germany offering historical background for both books: Stanley Milgram’s Obedience To Authority and Gitta Sereny’s Into That Darkness. However entangled their subjects may be, the subtitles reveal strikingly different ambitions, for while Milgram proposes “an experimental view”, Sereny sets forth on “an examination of conscience”. Inside the dark wood of morally compromised obedience, these two paths will lead us into very different places.

In his first chapter, Milgram makes clear the underlying motivation for his lengthy series of obedience experiments, which began shortly after the trial of Adolf Eichmann in 1961:

It has been reliably established that from 1933 to 1945 millions of innocent people were systematically slaughtered on command. Gas chambers were built, death camps were guarded, daily quotas of corpses were produced with the same efficiency as the manufacture of appliances. These inhumane policies may have originated in the mind of a single person, but they could only have been carried out on a massive scale if a very large number of people obeyed orders.

Consistent with the parameters of the experiments, a summary exposition of which occupies his first nine chapters, Milgram introduces the problem of individual conscience within the context of systems theory:

The presence of conscience in men can be seen as a special case of the more general principle that any self-regulating automaton must have an inhibitor to check its actions against its own kind, for without such inhibition, several automata cannot occupy a common territory.

He next discusses the problems posed by such an inhibitor when placed within the hierarchy of complex systems, whereby efficient and preferably immediate compliance best achieves the objectives of the system:

Therefore, when the individual is working on his own, conscience is brought into play. But when he functions in an organizational mode, directions that come from the higher-level component are not assessed against the internal standards of moral judgement. Only impulses generated within the individual, in the autonomous mode, are so checked and regulated.

Because being part of the system assures survival and delivers numerous other secondary benefits to the individual, potentially disruptive autonomy is “checked”, identity becomes “agentic”, and the individual will thereby execute the commands of superiors within the hierarchy, free from the cumbersome inhibitions of conscience:

From a subjective standpoint, a person is in a state of agency when he defines himself in a special situation in a manner that renders him open to regulation by a person of higher status. In this condition, the individual no longer views himself as responsible for his own actions but defines himself as an instrument for carrying out the wishes of others. 

When morally or ethically disturbing consequences of actions come into conflict with the imperatives of the agentic self, undermining the strength of “binding factors”, strains then emerge within the system. Such strains are resolved first through expression of dissent and then, if left unresolved, by outright rejection of the hierarchy through explicit acts of disobedience.


Now let us enter Gitta Sereny’s Into That Darkness, her prolonged examination of the conscience of one such agentic self: Franz Stangl, Kommandant of Sobibor and Treblinka, with prior experience in the Tiergarten Euthanasia Program. Sereny spent seventy hours talking with Stangl in a style that might best be described as empathic interrogation, her subtle intelligence slowly penetrating elaborately entrenched defenses, present since childhood yet perfected in the camps. She then spent eighteen months examining documents and cross-checking Stangl’s account of himself with Treblinka survivors and other witnesses, including his wife, Theresa, who had consistently urged dissent and disobedience, with little effect on agent Stangl. Over the course of the examination, Sereny leaves no doubt about what happens to a buried conscience: it rots.


Assigned to the point of maximum strain within the tight binders of the Nazi hierarchy, Stangl managed the messy business of genocidal extermination, applying his considerable administrative and creative talents to the task, details of which are exhaustively recorded by Sereny. Like so many before him, Stangl later tried to defend himself by claiming, in Milgram’s terms, that his autonomous self was absent from the scene, and that he was present only as an agentic functionary, performing his assigned duty within the hierarchy with the same professional diligence he would bring to any assignment:

FS     It was a matter of survival – always of survival. What I had to do, while I continued my efforts to get out, was to limit my own actions to what I – in my own conscience – could answer for. At police training school they taught us (…) that the definition of a crime must meet four requirements: there has to be a subject, an object, an action and an intent. If any of these four elements are missing, then we are not dealing with a punishable offense.

GS      I can’t see how you could possibly apply this concept to the situation?

FS      That’s what I am trying to explain to you; the only way I could live was by compartmentalizing my thinking. By doing this I could apply it to my own situation; if the ‘subject’ was the government, the ‘object’ the Jews, and the ‘action’ the gassings, then I could tell myself that for me the fourth element, ‘intent’ [he called it ‘free will’] was missing.

Yet Sereny does not let the schematic flow chart of such well worn defenses stand uncontested. Like a forensic anthropologist delicately yet firmly exposing the contours of a disappeared corpse, she enters into the death pit of Stangl’s conscience to assemble, fragment by fragment, the awful evidence of his guilt. There is so much to be said about this remarkable book, and the rare interlocutory skill of its author; I am sure to return to her often in months to come. For now, though, consider Stangl’s final – halting – confession, the extraordinary “farewell” exchange with Sereny whereby his “agentic self” finally gives up the ghost; for the first and only time, the former Kommandant Stangl comes face to face with the gaping oblivion of his own existential responsibility. In the interest of placing maximum focus on the power of Sereny’s interrogation, I have removed all narrative linkages, leaving only the bare transcript of their dialogue:

GS      In retrospect, do you think there was any conceivable sense to this horror?

FS      Yes, I am sure there was. Perhaps the Jews were meant to have this enormous jolt to pull them together, to create a people, to identify themselves with each other.

GS      Do you think that that time in Poland taught you anything?

FS      Yes. That everything human has its origin in human weakness.

GS      You said before that you thought perhaps the Jews were “meant” to have this “enormous jolt”; when you say “meant to” – are you speaking of God?

FS      Yes.

GS      What is God?

FS      God is everything higher I cannot understand but only believe.

GS      Was God in Treblinka?

FS      Yes, otherwise how could it have happened?

GS      But isn’t God good?

FS      No. I wouldn’t say that. He is good and bad. But then, laws are made by men; and faith in God too depends on men – so that doesn’t prove much of anything, does it? The only thing is, there are things which are inexplicable by science, so there must be something beyond man. Tell me though, if a man has a goal he calls God, what can he do to achieve it? Do you know?

GS      Don’t you think it differs for each man? In your case, could it be to seek truth?

FS      Truth?

GS      Well, to face up to yourself? Perhaps as a start, just about what you have been trying to do in these past weeks?

FS      My conscience is clear about what I did, myself. But I was there. So yes, in reality I share the guilt … Because my guilt … my guilt … only now in these talks …  now that I have talked about it all for the first time …  My guilt is that I am still here. That is my guilt. 

GS      Still here?

FS      I should have died. That was my guilt. 

GS     Do you mean you should have died, or you should have had the courage to die?

FS      You can put it like that.


GS      Well, you say that now, but then?

FS      That is true. I did have another twenty years – twenty good years. But believe me, now I would have preferred to die rather than this. And anyway – it is enough now. I want to carry through these talks we are having and then – let it be finished. Let there be an end. 

Nineteen hours after confronting the truth for the first time, Franz Stangl was dead of a heart attack. In her epilogue, Gitta Sereny, clearly shaken by her journey into the grave corruption of Stangl’s subjectivity, offers a few tentative conclusions of the sort that do not lend themselves to neat formulae or flow charts, conclusions that remain as timely today as the day she wrote them:

I do not believe that all men are equal, for what we are above all other things, is individual and different. But individuality and difference are not only due to the talents we happen to be born with. They depend as much on the extent to which we are allowed to expand in freedom. 

There is an as yet ill-defined, little-understood essential core to our being which, given this freedom, comes into its own, almost like birth, and which separates or even liberates us from intrinsic influences, and thereafter determines our moral conduct and growth. A moral monster, I believe, is not born, but is produced by interference with this growth. (…)

This essence, however, cannot come into being or exist in a vacuum. It is deeply vulnerable and profoundly dependent on a climate of life; on freedom in the deepest sense; not license, but freedom to grow: within family, within community, within nations, and within human society as a whole.