Now come excepts from a 1982 (!) interview with Arne Naess, words that remain as deeply meaningful today as the moment they were spoken; and two images from the studio of artist Karen Bamonte, from a new series titled Broken Circle.









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Now come excepts from a 1982 (!) interview with Arne Naess, words that remain as deeply meaningful today as the moment they were spoken; and two images from the studio of artist Karen Bamonte, from a new series titled Broken Circle.









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We recently discovered the work of Phyllis Ewen, at the intersection of environmental research and fine art. In a statement for her 2010 project Global Currents, she writes:
Sharing Ewen’s interest in the ways that the human imagination interacts and interferes with the natural world, we were curious about the reference to Donald Worster; after a bit of web trawling, we offer the following brief excerpt from his longer essay titled Historians and Nature, with images added by DP:

GLOBAL CURRENTS 1

