Today, a man named Brandon Bernard was executed for a a crime committed when he was eighteen, in circumstances clouded by numerous unanswered questions. Appeals for clemency fell on deaf ears.
Now comes the honorable Bryan Stevenson, a winner of this year’s “Right Livelihood” award, for his tireless work exposing, documenting and fighting against the injustices of the Carceral State. Below, his acceptance speech for the award.
Images are from the most powerful work of public art in North America: the museum and memorial created by Stevenson’s Equal Justice Initiative in Montgomery, Alabama.
Evidence From a Regime of Racial Terror
Names to Recollect
Below, a link to the video of the above speech:
This week, we bend an ear to the lucid voice of Bryan Stevenson, author of Just Mercy and director of the Equal Justice Initiative in Montgomery Atlanta, home to what is in our view the most important and most powerful work of public art in North America: the National Memorial to Peace and Justice.
The entire New Yorker interview is worth a close reading; except below, with images relayed from the website of EJI.
This week, we stay with the voice of Bryan Stevenson, founding director of the Equal Justice Initiative in Montgomery, Alabama. In excerpts from an interview on PBS in 2016, Stevenson outlines the genesis of EJI’s powerful proposal for a National Lynching Memorial. Images are taken from the concept video, which can be — and should be — viewed in its entirety here.
Now comes Bryan Stevenson, the founder of the Equal Justice Initiative in Montgomery, Atlanta. First published in the New York Review of Books, his essay provides a concise summary of recent research into the history of lynching in America, in turn providing essential background for the ongoing murder of African-American men. Excerpts below, with images from Ken Gonzales-Day’s Erased Lynchings series.
Our title descends from the famous song by Billie Holiday that haunts sanctimonious delusions of American exceptionalism like a death knell: