Now comes animal rights activist and writer Laura Bridgeton with a cogent summary critique of ever-expanding factory farms, on land and sea. Her entire report is worth close consideration. Excerpts below, with images from the fecund imagination of “outsider” artist, James Castle.
This morning, the entire editorial staff of DP spent a productive hour closely observing a quartet of male turkeys making their way through nearby meadows and woodlands: vigilant, alert, very much in touch with each other and with the landscape. We were unable to suppress the recognition that within a few weeks at least half if not all of these sentient and social toms will likely be “harvested” by humans to participate through their death in yet another one of our fantasy histories: Thanksgiving Day.
In the bigger picture, the human species continues its mad descent into the unfathomable depths of what Robert Jay Lifton calls “malignant normality”, a concept we will explore in detail in a future DP. For balance and sanity regarding the whole of life on earth, we have been re-reading Mark Bekoff’s indispensable The Animal Manifesto, with an opening passage excerpted below.
Images: a trio of watercolors from the studio of Rebecca Clark, whose art so gracefully and powerfully embodies reverence and awe for the natural world, a wisdom that we must all embrace if we are to have any chance of breaking the death spiral, of which the psychopathology of contemporary American politics is but one of many alarming symptoms.
Resonant with Bekoff’s manifesto, please also consider a keynote address from this year’s Animal Rights conference, as delivered by Lauren Gazzola:
And finally, a few more words from Thomas Berry, from his magnificent The Dream of the Earth:
“Our challenge is to create a new language, even a new sense of what it is to be human. It is to transcend not only national limitations, but even our species isolation, to enter into the larger community of living species. This brings about a completely new sense of reality and value.”