An article in The Intercept directed our attention to an extraordinary series of documentary photographs by artist-attorney Debi Cornwall, published in a book titled Welcome To Camp America. Among her images, we visit the “stage sets” of Guantanamo Bay within the vast security theatre of the surveillance state.
The images are freely viewable here, documenting a lounge chair in a room wired for visual media, rewards for compliant detainees; a prayer rug, with an arrow on the floor indicating the direction of Mecca; a sales display stocked with cigarettes, titled “Military Privileges (Kools)”; and a plastic toy floating in an empty swimming pool.
The projected play of normal life obfuscates the severely damaged or destroyed biographies at the heart of the state of exception, a fictionalized distortion that psychologist Robert Jay Lifton has characterized as “malignant normality”.
Towards the end of an interview published elsewhere, Ms. Cornwall poses the question:
For the six and one half years of DP, we have proposed the latter.
Elsewhere in the semiotic swamp of malignant normality, for those who have not yet viewed the bizarre “trailer” for the Trump/Kim “Summit Movie”, we urge consideration here:
This morning, the entire editorial staff of DP spent a productive hour closely observing a quartet of male turkeys making their way through nearby meadows and woodlands: vigilant, alert, very much in touch with each other and with the landscape. We were unable to suppress the recognition that within a few weeks at least half if not all of these sentient and social toms will likely be “harvested” by humans to participate through their death in yet another one of our fantasy histories: Thanksgiving Day.
In the bigger picture, the human species continues its mad descent into the unfathomable depths of what Robert Jay Lifton calls “malignant normality”, a concept we will explore in detail in a future DP. For balance and sanity regarding the whole of life on earth, we have been re-reading Mark Bekoff’s indispensable The Animal Manifesto, with an opening passage excerpted below.
Images: a trio of watercolors from the studio of Rebecca Clark, whose art so gracefully and powerfully embodies reverence and awe for the natural world, a wisdom that we must all embrace if we are to have any chance of breaking the death spiral, of which the psychopathology of contemporary American politics is but one of many alarming symptoms.
Resonant with Bekoff’s manifesto, please also consider a keynote address from this year’s Animal Rights conference, as delivered by Lauren Gazzola:
And finally, a few more words from Thomas Berry, from his magnificent The Dream of the Earth:
“Our challenge is to create a new language, even a new sense of what it is to be human. It is to transcend not only national limitations, but even our species isolation, to enter into the larger community of living species. This brings about a completely new sense of reality and value.”